Hannah Fidell’s adolescent romantic drama 6 Years is an emotive, realistic depiction of a relationship on the brink of despair. That despair, is constant. And that continuity verges on boring. But with strong performances from the leads Taissa Farmiga and Ben Rosenfield, Fidell’s budget flick achieves something, even if that something is only minute.
Remember the days of straight to VHS? Yeah, me too. It usually meant the film had a terrible cast, an even worse narrative, and a budget to match. In the contemporary film market today, it doesn’t. There are an array of stellar independent films that don’t meet the audience they deserve due to a window release system that favors blockbusters and star-power over underplayed quality. While Fidell’s 6 Years doesn’t quite match up to similar movies The Spectacular Now, Adventureland and Short Term 12, it does warrant an appreciative audience. Thanks to Netflix, the film should receive it, with AHS fans chomping at the bit to see an on-screen return from Farmiga.
Director and writer Fidell tells the story of Mel (Farmiga) and Dan (Rosenfield), a young couple reaching adulthood who have been in a relationship for six years. As they embark on different journeys their romance becomes entangled in bitterness, jealously and violence as we watch this sad couple attempt to make things work. Supporting performances come from Friday Night Lights actress Dana Wheeler-Nicholson and Bates Motel‘s Joshua Leonard and the ensemble are strong. The performances from this somewhat unappreciated (and perhaps, relatively unknown) cast are what keeps the feature together and the plot moving along. The biggest issue is what you gain as a viewer. Apart from feeling genuinely moved at the strength of Farmiga’s role as Mel, it’s hard to take away anything much from this 80 minute drama that, simply put, is incredibly glum. With lots of alcohol, self-destructive behaviour, and one or two uncomfortable scenes, 6 Years will sit comfortably amongst 16-25 year old’s but will struggle to find a wider demographic.
It’s not all bad, though. There’s an interesting exploration of underlying violence in relationships that isn’t pin-pointed often enough in popular culture, and the bravery of Fidell to include this as a theme – as well as be sure not to over-play or under-play that – is intelligently done. This in itself is thought-provoking and creates a divide between the two leads, forcing us to choose a side and stick to it. Although, thanks to the complexity of long-term relationships and the strength of the script, you will find yourself swapping from Ben to Mel and back again. The visuals are great, too. Lot’s of visceral colours make for a truly contemporary movie, and it’s an attractive feature. The repetition of house-parties and flashing lights becomes predictable though and as a viewer we just want to see this bleak story move forward. It doesn’t happen and therefore never fully engages its audience.
6 Years is an authentic – if somewhat under-whelming – story of a young couple and their tribulations. Farmiga and Rosenfield have a genuine chemistry that is electric and toxic at all of the right moments. These performances alone save the film from the dark depths of melodramatic indie territory and propels Hannah Fidell’s second feature into positive territory. It won’t blow you away, but it’ll make you think.