Bradley Cooper revitalises one of cinema’s best-loved romances, updating the story of an ageing rock musician and his relationship with a talented rising star with an emotional depth often amiss in romantic-dramas.
With the cinematic release of A Star is Born – a film that had been hovering in development with various directors and actors attached for some time – came a plethora of critical acclaim. That acclaim, widespread and enthusiastic, is not misplaced. Bradley Cooper’s directorial debut – an obvious passion project that he has poured his heart and soul into – is a confident film with songs featuring hair-raising live music scenes, moving adult drama, and knockout performances from a small ensemble cast.
Both Cooper and Lady Gaga are sensational, they share an electric on-screen chemistry meaning their relationship is believable and their shared scenes (essentially the whole movie) are a delight to watch. There are many (quite possibly too many) romantic films out there. None are quite as affecting as this one.
Gaga gives an Oscar-worthy performance, fusing quiet confidence with a rising-star vulnerability that endears us to her and allows us to see beyond the veneer of her real life star persona. Cooper directs with a curiosity for his characters and the music industry that takes us on a captivating journey. Morphing into haunted rock star Jackson Maine, Cooper gives a physical and emotional performance that is both memorable and tragic, and veteran Sam Elliott is terrific, supporting his co-stars with comfortable ease.
With A Star is Born Cooper explores timely themes with such gut-wrenching force it’s almost impossible to leave the cinema unmoved. The film’s power is in its ability to stay with you long after the credits roll and, this alone, is its true triumph.
Billed as a romantic-drama, A Star is Born is so much more, going beyond its genre to explore the music industry, masculinity and mental health. It might be the story’s fourth incarnation but it is also quite possibly its best. Superb.
John Carney has shown himself to be a director of sheer, charismatic artistry. Creating feel-good comedy dramas that feature relatable characters and charming narratives, Sing Street is just the latest in a string of unmissable stories from Carney.
Reminiscent of The Commitments – and starring Maria Doyle Kennedy from Alan Parker’s cult hit – Sing Street is the lively, yet gently sentimental, story of Cosmo and his pals who put together a band to emulate their favourite 1980’s artists in order to escape the every day struggles of a Dublin in the grasp of economic strife. Queue fantastic musical elements, inspirational train rides and slow-mo walks – for the expected genre conventions are all present -, but with a sprinkling of originality.
Sing Street hits you in the face with witty comedy and heartfelt emotion, you’ll laugh and cry, and you’ll relish in the representation of adolescent relationships, from brotherhood to romance. John Carney directs with a whimsical eye, taking his viewers on a fun-fueled adventure through finding your feet in the tricky landscape of high school. His layered screenplay is lifted further by an ensemble cast of exceptional young actors, supported by some of the countries most-loved talent including Aidan Gillen, Don Wycherley, Lucy Boynton and Jack Reynor.
Walsh-Peelo and Boynton in Sing Street
Ferdida Walsh-Peelo is brilliantly complex in the lead role as young musician Cosmo, falling in love with Boynton’s Raphina in a beautifully innocent plot thread that very nearly steals the whole film. Reynor is similarly outstanding as Cosmo‘s brother Brandon, a young adult who has lost his way in life. The relationship the two brothers share lends to several memorable moments in which Sing Street stands out as not just another teen drama, but an innovative story of navigating life with the support of those around you. All of this is wrapped in an Irish wit that is amiss in many similar titles, and features a number of toe-tapping original songs that capture the spirit of the time well.
A tale of the tribulations of family and friendship, a celebration of the bonkers style and diverse music of the 1980’s, and a sheer riot to watch, Sing Street is very simply unmissable cinema.