Bong Joon-ho’s Okja is cinematic storytelling at its finest. Funny, smart, heartbreaking; Bong has created a film with so much soul, it simply has to be seen by all.
In Okja, the ominous Mirando Corporation, led by Tilda Swinton’s Lucy, unveils superpigs, claiming these animals were ‘discovered’ and not created in a lab. One pig, Okja, is raised in the South Korean mountains by a young girl named Mija and together, over ten years, they form an unbreakable bond. When it becomes clear that Okja was reared to be used as live stock, the Animal Liberation Front, helmed by Paul Dano’s Jay, join forces with Mija to bring down Mirando and save Okja from a cruel fate.
Bong’s film is obvious in its messaging and vocal in its views on the meat trade – some viewers won’t like that. Those who can look beyond the imbedded message of anti-meat and see the many other themes the flick involves will relish in the total joy and, at times, utter sadness this sentimental story brings to its viewers. Okja isn’t just a discussion on the treatment of animals reared for food, it’s an exploration of unusual friendships and the want to make a positive impact on the world in which we live.
The film boasts an enviable ensemble that unites fresh new talent with established actors, all putting in memorable performances. Dano is superb as Jay, impassioned and quietly emotional, while Swinton and Jake Gyllenhaal have a riot in eccentric roles that are both unforgettable and terrifying. It’s Ahn Seo-hyun who steals the film, though. And, of course, her best friend Okja. Bong brings the best out of his actors as he directs them through a journey that is unashamedly bonkers.
As with Bong’s previous entries into the world of film, Okja won’t be for everyone. The director has oddball tendencies and blends these with truly dark themes, a combination that won’t sit so well for some viewers. What this is though, is a genuine success for Netflix and a bold leap too. The film is half in Korean and half in English, and it combines a cast of South Korean actors with American talent – this combination of East and West works and does something in terms of bringing audiences closer to seeking out world cinema.
For some, watching Okja will lead to a change in life-style. For others, it will be a totally nonsensical action-adventure. And for most, a riotous ride that’s a great piece of cinema. Bong’s film will stir many different reactions but perhaps that reflects its total brilliance. Rather wonderfully, Okja is unlike any film before it. Bong Joon-ho has masterfully crafted a one-of-a-kind picture that is, yes, completely unusual, but brilliantly so. It’s an adventure of epic proportions that’s thematically brave and brimming with heart.