It Follows, review
It Follows is an indie dream. Atmospheric, low-key and teeming with nostalgia (if you’re an old-school horror fan), David Robert Mitchell delivers a movie that is startlingly inventive first time-around but no doubt serves as repeat watching due to its nature of serving up something new each time. It Follows is far from the formulaic teen-slasher or paranormal sub-genre that has dominated cinema screens in recent years and it’s kinda’ hard to put it in any barrier. Mitchell is genre-busting here, for one minute you’re watching an adolescent romance play out, the next a nightmarish horror – this is very clever film making.
In It Follows we meet Jay (Maika Monroe), a young woman who – after going on a date and sleeping with the guy – is left with strange repercussions to deal with. The aftermath is a follower, one who changes in appearance every time she sees it and one which has malevolent intentions. Long story short, the follower is kind of like an STI, but much, much worse than herpes. So, anyway, Jay (with the help of her kooky pals) sets out to beat this thing in whichever way she can. But, how to do such a thing when you don’t really know what it is? That, pretty simply, is the premise to It Follows.
Maika Monroe is an absolute dream in her role as Jay. She’s likable, you want her to succeed, and shes totally relatable if you’re anywhere between 16-25. Monroe is on her way to super-stardom (or at least should be) and among several impressive performances – she is possibly the only good thing about the disappointing The Guest – It Follows is one to get a hold of. She is supported by Keir Gilchrist as Paul, Olivia Luccardi as Yara and Lili Sepe as Kelly – all of whom share a great chemistry as they support Jay on her journey against the entity she is haunted by. Mitchell brings out the best from his cast with an original script which is quietly thoughtful and a direction that is reminiscent of horror films of the past. At 100 minutes its a relatively slow-build but this lends to a relationship between Jay, Yara, Paul, Kelly and their audience. The entire feature is atmospheric and where a thunderstorm might seem cliched in any other ‘teen’ horror in It Follows it only pushes the greatness of the piece forward. The soundtrack is an electronic treat with melodies that pop up frequently meaning you’re totally unaware of when you should be concerned that something terrible might just happen.
It Follows is great in the way that it doesn’t show you a whole lot; there is no stream of barbaric violence or continuous scares but there are several carefully timed moments that do keep you on your toes. The antagonist of the film, the entity, is frightening in the way that you can see him or her but you don’t know where it’s from or what it wants, and there’s a lot of well-crafted enigma which propels the film into fantastic territory.
Unique and tense with a whiff of the 1980’s, It Follows is a gem to the horror genre.