Four reasons Suicide Squad already looks like a winner
DC’s Extended Universe and its Suicide Squad inhabitants won’t see its cinematic debut until August 2016, but audiences are already eagerly awaiting the date. With the Comic Con trailer receiving a wave of applause from both critics and DC fans, and naysayers basically won-over, David Ayer’s foray into super villains and Belle Reve is looking set to be a box-officer breaker and audience favourite. Why are spectators expecting such a good production? Here, I give you four solid reasons as to why Suicide Squad is already channeling a winning confidence.
1) Bad-ass villains as the protagonists
There’s nothing wrong with watching Batman or Spider Man save their respective cities. Superheros are generally loved – Avengers: Age of Ultron‘s whopping $1.398 billion box-office taking exemplifies the pleasure and enjoyment audiences gain from watching their favourite good-guy serving up justice amongst the likes of Electro and Penguin. But, what excites viewers here, is the thought of the tables being turned as they get to delve deep into the makings of, and bat-shit crazy minds of, some of DC’s darkest criminals. In Ayer’s Suicide Squad fans will watch as the likes of Harley Quinn, Slipknot, and Enchantress protect society against rogue villains – they might be being forced to do it by some super seedy government officials, but its all relative. No longer the characters you are meant to loath, you’ll be invited deep into their clique, as their back-stories and criminal enterprising become the centre focus of Ayer’s feature.
2) An ensemble cast to rival the best in old and new talent
Not to suggest that Will Smith and Viola Davis are getting old (ahem), but Suicide Squad boasts a stand-out cast of veteran acting talent, as well as a host of fresh new faces who have more then proved their worth on the silver screen. Performances that stuck out in the initial trailer include the apparent acrobat enthusiast Harley Quinn, played here by the compelling actress (and beauty) Margot Robbie – known for her Hollywood breakout in The Wolf of Wall Street – Mr Smith as marksmen Deadshot (get set for family flash-backs and a loveable rogue with this one), and – it likely goes without saying – Jared Leto as The Joker. Portrayed many times on the big screen by actors who were established for their diverse roles, the latter is an iconic character who is already loved amongst DC fans. Featuring for less then a minute at the end of the trailer, and seen in a still from the film, Leto’s Joker is Marylin Manson in look (soz, Marylin) and Heath Ledger-esque in sound. The difference here? It’s likely this clown will be R-rated, oh, and involved in a strange romance with Robbie’s Quinn – that adds a whole other dimension in itself. Jay Hernandez deserves a shout, too. Sporting facial tattoos and a bad temper (and that’s putting it lightly), the actor as El Diablo doesn’t feature too heavily in the initial trailer but the character is looking like one to watch come release.
3) The August 2016 release
It might seem like a bit of a weird reason as to why suicide Squad is promising big things, but simply, David Ayer and Warner Bros. Pictures aren’t rushing this one. It’s common that these big blockbusters get lumped with a huge budget, a short production process, and a quick release. Why? To bring in the dollar. It makes sense in terms of money-making, but it can often lead to a rushed, and lacking, final feature. What fans are seeing here is a good-looking and well-thought out trailer from a film that won’t meet its release for another year. If it’s looking like an epic at this stage, it’ll more than likely genuinely impress upon its debut – and look somewhat better than it already does. Good stuff, huh?
4) David Ayer taking the helm
The director attached as both helmer and writer basically speaks for itself. Known for critically applauded, and intimate explorations of strong character-driven stories, don’t expect an effects-centred feature. While it is likely that Suicide Squad will be effects heavy, fans won’t be left with all style and no substance, not with Ayer on board. Known for his South Central narratives in Training Day and Harsh Times, and last years war epic Fury, the director never does the same thing twice. Adding a new string to his bow with a comic book adaptation here, Ayer brings grit and adult content to the kind of adaptation that usually targets a youth audience.