Scrolling through Facebook today (yes, that social convention that takes up a fair amount of time) I came across a status which read “The best part of Monday is hearing ‘Previously on AMC’s The Walking Dead.'”, and I believe its fair to say that you would be hard-pressed to come across a fan who would disagree. Five seasons in, WD could potentially find itself between a rock and a hard place; its far enough in to of cemented itself as a great show, but also at the stage that the final season, and the question of when that will come is a hovering thought. Currently, The Walking Dead is still as thrilling, and exciting, as it was in season one (perhaps even more so), and although the narrative has generally been continuous throughout, the curve-balls thrown in have been enough to keep us all coming back for more. Today’s episode, Self Help, leads one to ask, where next? For the first time. The shock of Eugene (a character we know little about, played by Josh McDermitt) professing that his whole story of the chance for a return back to the life they all once knew, and a cure to the virus that has turned humans into Walkers, was all a lie, left a gap for the thought – where now? Where will the story go next, and where can this whole show now go? If you read the graphic novels, then you’ll have that answer. But for us in the dark, its certainly a thought that makes for a fair amount of day-dreaming, and mental script-writing.
A formation that WD has perfected over the past two seasons is that of swapping between characters, and their stories. This week it was all about Abraham’s (and those who left with him) journey to DC, last week we followed Beth, and before that Rick and the crew. This way of storytelling from the makers, means every week there is a fresh narrative in which audiences can sink their teeth into (excuse the pun). Gaining insight this week (however slight it was) into Cudlitz’s Abraham made for new and definitely interesting fare, and discovering that he at one point nearly took his own life added a softer element to a character with a hard exterior. More than this however, the aesthetic of what must be nearly a thousand walkers (I may be exaggerating) was one of the best images WD has given us yet, and almost places you there in the scene. Trust me, its up there with the park Walker of season one (and who can forget that?!). While Self Help didn’t present itself as the best episode season five has given us, it still remains a fantastic offering for the zombie genre. This weeks episode also reminds us that The Walking Dead is an adult show, and one that explores relationships of all types, in a refreshing and human way.
Not an episode of epic proportions, or overwhelming discoveries, but an episode of humble modesty, exemplifying The Walking Dead‘s ability to shine no matter what the subject matter.